| CURRENT | Developing newly commissioned work | |
| 2009-11 | Collaborating with filmmaker; photographic projects, video, and stills in progress | |
| Drawing and painting over monotype images | ||
| 2010 | ‘Nestings,’ cast aluminum site-specific multiple installation, private collection, Vero Beach, FL, USA | |
| 2009 | ‘Iron Maiden,’ cast aluminum, site-specific kinetic installation, Private Collection, Vero Beach, FL, USA |
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| Invitational artist in residence in the Helen Frankenthaler Studio, Connecticut, USA | ||
| 2005 | Re-established a Toronto studio | |
| ‘Reach’, Constructed aluminum in three parts. London School of Economics Residence, London, England, UK |
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| EDUCATION | 1965 | Graduated Fine Arts, Ontario College of Art (now OCADU) |
| 1965 | Assistant to Lynn Chadwick | |
| 1960-65 | Assistant to Dora de Pedry Hunt | |
| JURIED EXHIBITIONS | 1989 | Royal Academy of Art, London, England, UK |
| 1978 | Sculpture Society of Canada, MacDonald Block, Toronto, ON, Canada Canada House, London, England, UK Gallery 1, Ontario College of Art, Toronto, ON, Canada |
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| 1977 | Harbourfront Art Gallery, ”Rehearsal”, Toronto, ON, Canada | |
| 1976 | Gallery 22, Vancouver, BC, Canada | |
| 1975 | Ontario Society of Artists, Toronto, ON, Canada | |
| 1974 | University of Toronto, Hart House, Toronto, ON, Canada | |
| 1972 | Gallery 22, Vancouver, BC, Canada | |
| 1969 | University of Toronto, Edward Johnson Building, Toronto, ON, Canada | |
| 1965 | Royal Canadian Academy, Toronto, ON, Canada | |
| EXHIBITIONS | 1993 | Studio Exhibition, Titness Park, Ascot, England, UK |
| 1990 | Studio Exhibition, Titness Park, Ascot, England, UK | |
| 1989-92 | Art Placement, The Canadian High Commission, London, England, UK | |
| 1988 | Royal Academy of Art, Summer, London, England, UK | |
| 1987 | Studio Exhibition, Ascot, England, UK | |
| 1986 | ‘Reactions’, In Studio, London, England, UK | |
| 1983 | Gallery Quan, Sunnybrook Art Auction, Toronto, ON, Canada | |
| 1978 | Harbourfront Art Gallery, Toronto, ON, Canada Gustafsson Gallery, Brampton, ON, Canada Visual Arts Ontario, Art Placement, Ontario Government, Ministry of Culture |
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| 1977 | Gallery 1, Toronto, ON, Canada | |
| 1975 | Art Gallery of Ontario, Extension Artist, Toronto, ON, Canada | |
| 1973-74 | Enoch Turner, Toronto, ON, Canada Art Gallery of Ontario, Extension Artist, Toronto, ON, Canada Hart House: University of Toronto, Toronto, ON, Canada Wells Gallery, Ottawa, ON, Canada Exposition Gallery, Vancouver, BC, Canada Evans Gallery, Toronto, ON, Canada |
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| 1972 | Exposition Gallery, Vancouver, BC, Canada Gallery 22, Vancouver, BC, Canada |
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| 1970-71 | Dianne Shore Gallery, Toronto, ON, Canada | |
| 1969 | Edward Johnson Building: University of Toronto, Toronto, ON, Canada Representative for Canada: Sculpture, Cultural Exhibition, Budapest, Hungary |
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| 1968 | Allen Edwards & Associates, Toronto, ON, Canada | |
| 1966-67 | Ghent Gallery, Ohio, USA | |
| COMMISSIONS | 2010 | Sight Specific Multiple Installation, Private Collection, Vero Beach, FL, USA |
| 2009 | Kinetic Sight Specific Sculpture, Private Collection, Vero Beach, FL, USA Invited Artist-in-Residence, Helen Fankenthaller Printmaking Studio—worked on large project with master printer Tony Kirk, of Edinburgh and New York (still in progress) |
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| 2005 | Odette Sculpture Park, Windsor, ON, Canada (Pending) | |
| 2004-05 | London School of Economics, The Residence, London, England, UK | |
| 1988 | Tate & Lyle International, London, England, UK | |
| 1985 | Argus International, Toronto, ON, Canada | |
| 1982 | Wallis & Matanavik International, Toronto, ON, Canada | |
| 1979 | City of Toronto, City Parks, Toronto, ON, Canada | |
| 1976 | Eastern Construction Co. Ltd., Toronto, ON, Canada | |
| 1975 | Venturetek International, Toronto, ON, Canada | |
| 1974 | Crown Life, Head Office, Toronto, ON, Canada Eastern Construction Co. Ltd., Toronto, ON, Canada |
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| 1973 | Eastern Construction Co. Ltd., Toronto, ON, Canada | |
| 1971 | East York Board of Education, Toronto, ON, Canada | |
| 1970 | Bristol Myers, Toronto, ON, Canada | |
| 1968 | Deloitte Haskins & Sells, Toronto, ON, Canada | |
| 1967 | North York Board of Education, Toronto, ON, Canada American Greeting Corp., Cleveland, OH, USA |
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| 1965 | C.F. Balmer & Sons, Toronto, ON, Canada, Life Size Figures | |
| APPOINTMENTS/AWARDS | 2008-11 | Selection Committee for the Vero Beach Museum of Art, Vero Beach, FL, USA |
| 1992-2005 | Performed duties as wife of Sir Neil Shaw, Chairman & CEO, Tate & Lyle, London, England. Traveled extensively during that time. Drawings and photographic studies were documented for future work. | |
| 1992 | Art Advisor to the Selection Committee, Canada House, London, England | |
| 1989 | Art Advisor to the Selection Committee for Canada House, London, England | |
| 1984 | Faculty of Fine Art, Sculpture, Teaching Appointment, Ontario College of Art and Design | |
| 1977 | Advisor to the Board of the International Sculpture Conference, Toronto, ON, Canada | |
| 1979 | President of the Faculty, Ontario College of Art and Design | |
| 1976 | Ontario Arts Council Grant | |
| 1975 | Ontario Arts Council Grant Ontario Society of Artists Award |
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| 1973 | Faculty of Fine Art, Sculpture, Teaching Appointment, Ontario College of Art and Design Ontario Arts Council Grant |
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| PHOTOGRAPHY & PRINTMAKING |
2009/11 | Photographic projects for projectionPhotographic stills for film projection.Continuing to paint and draw over mono-type images.Collaborating with photographer and film maker Tracy Clare |
| 1987 | Accompanied film crew and Marine Biologists aboard Jacques Cousteau’s ‘Calypso’, in the Galapagos Islands. Documented the filming for OWL Television and Magazine. Photographs were later published. Will continue photographic portraits and landscape. |
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| 1981-82 | Documented the White Sands Desert in Albuquerque, New Mexico, USA Met with Georgia O’Keefe |
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| In 1987 Pixie had the privilege of Accompanying a film crew tor the Galapagos Islands as the Official Documentary Photographer of a segment for the popular Canadian television series, OWL TV.For three weeks she lived on the Calypso, whoch Jacques Cousteau helmed for many of his exploratory ventures.In this opportunity, Pixie was able to tell this rare story in her photographic essay.The Sincerity of her perception through the lens is a true testament to her artisitc journey. | ||

